By Dalia Nassar
Scholars this present day interpret philosophical romanticism alongside competing strains: one emphasizes the romantics’ crisis with epistemology, the opposite their quandary with metaphysics. via cautious textual research and systematic reconstruction of the paintings of 3 significant romantics—Novalis, Friedrich Schlegel, and Friedrich Schelling—Nassar exhibits that neither interpretation is absolutely pleasant. quite, she argues, one must technique absolutely the from either views. Rescuing those philosophers from widespread false impression, or even dismissal, she articulates not just a brand new perspective at the philosophical foundations of romanticism yet at the which means and value of the idea of absolutely the itself.
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The Romantic Absolute: Being and Knowing in Early German Romantic Philosophy, 1795-1804 by Dalia Nassar
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